Asian Female Warrior Fantasy Art Images for Commercial Use

Relm: I couldn't miss the chance to practice my cartoon!

This article is in need of a few pictures. Perhaps y'all can assistance by uploading a flick of Mog Clock logo for XIII-2.

The logos for each Final Fantasy game accept a like style. Starting with Final Fantasy Four, all game logos feature the same basic layout. The older games besides received logos in the same style when they were re-released. The font used for the title is Runic MT Condensed.

The logo fine art for the chief series games, and for many spin-offs and sequels, is by Japanese artist Yoshitaka Amano who has been involved with the Final Fantasy series since its start. The games are in development when the logo requests are sent to Amano without much documentation to go by. Amano then interprets the information available and tries to incorporate it and create an illustration out of it. As the logo art is based around a cardinal concept, non much of the important aspects would drift or change significantly even if the logo is created early in product. Because the title logo is monochrome to a certain degree, Amano illustrates the logo as a standalone piece of art. Rather than receiving visuals, Amano creates the character illustrations from text-based information, like the historic period and the role they play. As he is not a graphic symbol designer, only an illustrator, there are more instances where he has worked off text received from the development squad. He has said that anything written in text builds and expands imagination, whereas visual assets to review or expect at, would exist "the finish of it."^[1]

Afterward Amano has fatigued the logo art the actual logo is designed effectually it by the design team that chooses the colour for the logo, amid other aspects. Foursquare Enix likes to reflect colors from the logo art within the key fine art; for example, the greenish and bluish of the Final Fantasy Seven Falling star logo are also reflected in the Mako energy and Lifestream that play crucial roles in the game, and in the tone of its key fine art.^[2]

Yoshitaka Amano signed his Final Fantasy X, X-2, XII, XII International Zodiac Job System, Xiii-2, Dissidia, Dissidia 012, and Fabula Nova Crystallis logos.

1 Main series
- 1.1 Terminal Fantasy
- 1.2 Final Fantasy II
- 1.3 Final Fantasy Three
- 1.4 Final Fantasy IV
  - i.four.1 Last Fantasy 4 -Interlude-
  - one.iv.ii Terminal Fantasy Four: The After Years
- 1.five Last Fantasy Five
- 1.6 Final Fantasy VI
- one.7 Final Fantasy Seven
  - 1.seven.1 Final Fantasy 7 Remake
  - ane.vii.2 Final Fantasy Seven: Advent Children
  - ane.vii.3 Final Fantasy Seven: Appearance Children Complete
  - ane.7.4 Before Crisis -Final Fantasy VII-
  - i.7.5 Crisis Core -Final Fantasy Seven-
  - ane.7.six Chant of Cerberus -Concluding Fantasy VII-
  - 1.7.vii Dirge of Cerberus Lost Episode -Final Fantasy VII-
  - 1.7.8 Last Order -Final Fantasy Seven-
  - 1.7.9 Last Fantasy VII: Snowboarding
  - one.7.10 Final Fantasy Seven G-Bike
  - i.7.11 Final Fantasy VII The First Soldier
  - 1.7.12 Final Fantasy VII Ever Crisis
- 1.viii Final Fantasy VIII
- one.9 Terminal Fantasy Nine
- 1.10 Final Fantasy X
  - 1.x.1 Final Fantasy Ten-2
- 1.xi Last Fantasy XI
- 1.12 Last Fantasy XII
  - 1.12.ane Concluding Fantasy XII: Revenant Wings
- i.13 Terminal Fantasy Xiii
  - ane.13.1 Concluding Fantasy XIII-2
  - 1.13.2 Lightning Returns: Last Fantasy 13
- i.14 Final Fantasy 14
- 1.15 Final Fantasy XV
  - 1.fifteen.one Brotherhood -Final Fantasy XV-
  - 1.xv.2 Kingsglaive: Terminal Fantasy XV
  - 1.15.iii A Rex's Tale: Final Fantasy Xv
  - 1.fifteen.4 Last Fantasy XV: A New Empire
  - 1.fifteen.5 Monster of the Deep: Terminal Fantasy XV
  - ane.15.half dozen Final Fantasy Xv: Comrades
- one.16 Terminal Fantasy Sixteen
2 Spin-offs
- 2.1 Terminal Fantasy Adventure
- two.2 Final Fantasy Tactics
  - 2.2.one Final Fantasy Tactics Advance
  - 2.2.2 Final Fantasy Tactics A2: Grimoire of the Rift
- two.3 Final Fantasy Crystal Chronicles
  - 2.3.ane Final Fantasy Crystal Chronicles: Ring of Fates
  - 2.3.2 Final Fantasy Crystal Chronicles: My Life as a King
  - 2.3.3 Last Fantasy Crystal Chronicles: Echoes of Time
  - 2.iii.4 Final Fantasy Crystal Chronicles: My Life equally a Darklord
  - two.3.five Concluding Fantasy Crystal Chronicles: The Crystal Bearers
- 2.4 Final Fantasy Type-0
  - two.four.one Final Fantasy Agito
  - 2.four.2 Final Fantasy Awakening
- ii.five Dissidia Final Fantasy (2008)
  - 2.5.1 Dissidia Duodecim Prologus Last Fantasy
  - 2.five.two Dissidia 012 Terminal Fantasy
  - 2.5.3 Dissidia Final Fantasy (2015)
  - two.5.4 Dissidia Terminal Fantasy NT
  - 2.5.5 Dissidia Final Fantasy Opera Omnia
- 2.6 Theatrhythm Final Fantasy
  - 2.6.1 Theatrhythm Final Fantasy Drape Call
- two.seven Final Fantasy Dimensions
  - 2.7.one Final Fantasy Dimensions Ii
- two.viii Final Fantasy Mystic Quest
- ii.9 Final Fantasy: The 4 Heroes of Calorie-free
- ii.10 Final Fantasy Record Keeper
- 2.xi Final Fantasy Explorers
  - two.11.1 Final Fantasy Explorers-Forcefulness
- 2.12 Final Fantasy Brave Exvius
- two.xiii Mobius Concluding Fantasy
- 2.14 Last Fantasy Grandmasters
- 2.15 Earth of Final Fantasy
- 2.sixteen Crystal Defenders
  - two.16.ane Crystal Defenders: Vanguard Storm
3 Sub-series
- 3.i Terminal Fantasy 20th Anniversary
- 3.2 Final Fantasy 25th Anniversary
- 3.3 Final Fantasy 30th Ceremony
- 3.iv Finest Fantasy for Advance
- 3.5 Compilation of Final Fantasy Vii
  - 3.5.1 Terminal Fantasy 7 tenth Anniversary
- three.vi Fabula Nova Crystallis: Final Fantasy
- 3.seven Final Fantasy Fifteen Universe
- three.8 Ivalice Alliance
4 Compilations
- 4.1 Final Fantasy I∙Ii
- 4.2 Last Fantasy Origins
- 4.3 Final Fantasy I & Two: Dawn of Souls
- four.four Final Fantasy Collection
- 4.v Final Fantasy Chronicles
- 4.6 Final Fantasy Iv: The Consummate Drove
- 4.7 Final Fantasy Album
- 4.eight Final Fantasy X / X-2 Ultimate Box
- 4.9 Concluding Fantasy Ten/10-ii HD Remaster
- 4.x Other logos
v References

Master serial [ ]

Final Fantasy [ ]

The logo for the original Terminal Fantasy shows the championship in a unproblematic light blue font with semi-transparent characters. It was the only time the title was entirely in katakana, rather than primarily English messages with a kana subtitle. The English logo is done in a custom font, slightly bolded, in red.

The logo of the re-releases, starting from Final Fantasy Origins for PlayStation, features a Yoshitaka Amano drawing of the Warrior of Light in calorie-free blueish, a callback to the original Japanese logo'south color.

In Dissidia Final Fantasy, the Warrior'south appearance and pose during his EX Burst mimic this logo's artwork, and his crystal has a low-cal bluish hue identical to the logo's color.

The logo was redesigned again for the Terminal Fantasy 20th Anniversary version of the game for the PlayStation Portable, however featuring the Warrior of Lite, at present in a unlike pose, and has been used since for all media featuring Final Fantasy.

Concluding Fantasy II [ ]

The original logo for Concluding Fantasy Two is done in a colorful italic style: the writing is washed in pale-regal fading into bright bluish, the edges the letters are rimmed with golden, while the numerals are in a medium-to-light blue. The whole is styled vaguely in the shape of a dragon, emphasized more past the cherry reptilian eye incorporated into the offset alphabetic character.

The logo of the Final Fantasy Origins and Final Fantasy I & Two: Dawn of Souls re-releases features a Yoshitaka Amano cartoon of The Emperor in pink. The logo was again redesigned for the 20th Ceremony PSP release, however featuring the Emperor, at present in a different pose, and has been used since for all media featuring Concluding Fantasy II.

The pink colors used in the redesigned logos may possibly insinuate to the Wild Rose Rebellion, the rebel army that Firion and his grouping join to combat the Palamecian forces, and that several roses in existent life have on a dark pinkish color. It may too insinuate to the pink crystal corridors constitute within Pandaemonium. The pink hues is likewise used for Firion's crystal in Dissidia Final Fantasy.

Final Fantasy Three [ ]

The logo for Final Fantasy Three features the championship in an italic orange font, and three crystal columns in the background. The messages are styled almost exactly like the previous game, only this time they are all-gold.

The logo of the Nintendo DS re-release features a Yoshitaka Amano drawing of an unnamed Warrior of Calorie-free belongings ii swords in greens and blues. In Dissidia Final Fantasy, the Onion Knight strikes this pose during the Ninjutsu version of his EX Burst. This logo has been used for all post-obit versions of Final Fantasy Three.

The green colors used in the remake logo may refer to the recurring element of wind featured throughout Last Fantasy III. It could as well refer to the color scheme of the game's primary antagonist. The greenish hues are also used for Onion Knight's crystal in Dissidia Final Fantasy.

Final Fantasy Iv [ ]

The logo of Final Fantasy IV features a Yoshitaka Amano drawing of Kain Highwind in imperial, posing in a shape of number iv in Arabic numeral. The color of the text matches the color of the drawing. The logo marks several things: it adopts what would become the "standard" design of the title logo, with the title in English and a katakana subscript and incorporating a piece of Amano artwork between or almost (in this case, between) the "Terminal" and "Fantasy." It adopts the "standard" font for the serial going forwards, abandoning the stylized italics of the previous logos, and the font also seems influenced by the font of the American edition of the first Final Fantasy with a similar A, N, I and L (though with less elaborate Fs and a much narrower T). This overall pattern would become the standard for most every release to follow. The original logo'south colour is used for Cecil'south crystal in Dissidia Terminal Fantasy.

The logo of the Northward American release was washed in a golden style in a typeface like to the English logo for Final Fantasy, but with somewhat less elaborate Fs (though they retain the distinctive tapered tail), narrower Ns and As, and most prominently a T which takes the form of a sword. The numeral was also changed from "4" to "II" to avoid continuity problems. The logo for the WonderSwan Color release incorporated a gradient. This was the ground for the Last Fantasy 4 Advance logo. The Japan-exclusive mobile phone port features a dissimilar shade of regal.

The sword model that replaces the "T" in the North American localization of Final Fantasy Four (written every bit Final Fantasy Two) is identical to that in the logo of Final Fantasy Run a risk, Final Fantasy Legend II, and Final Fantasy Legend III, right down to the lens flare.

The Nintendo DS version had a redesigned logo featuring Golbez. The new logo wasn't a concept that pre-existed from the original. Amano has later described the logo equally "absurd" and said the designer making the logo based on his illustration did a expert job merging them. The Golbez illustration was originally ink art, simply the logo designer at Square Enix added ruby in it. Amano himself enjoys nighttime, boss-like characters, and tends to lean toward these types of illustrations.^[ane]

Last Fantasy Iv -Interlude- [ ]

The logo of Final Fantasy Four -Interlude- is a elementary picture show of the typical Final Fantasy 4 with -Interlude- written right below information technology.

Final Fantasy IV: The After Years [ ]

The logo of Final Fantasy Four: The After Years is the two moons, with the new one growing larger.

Final Fantasy 5 [ ]

The logo of Final Fantasy V features a Yoshitaka Amano drawing of a wind drake in purple and light blue. The text is a dark bluish and the "V" strays from the traditional font style. In Dissidia Final Fantasy, Bartz'southward crystal uses the same hues as the logo.

Final Fantasy VI [ ]

The logo of Final Fantasy VI features a Yoshitaka Amano drawing of Terra Branford atop a Magitek Armor, depicting an event when she was in the thrall of the Gestahlian Empire. The armor and its rider are in blackness and red, while the text is black, from here on becoming standard for the series. Amano considers the logo memorable at the time as Terra was one of the offset female chief characters in the series and the logo is just the silhouette without actual faces and lines; Amano describes early logos in the serial every bit more simplistic that gradually became more illustration-like.^[1] In Dissidia Final Fantasy, Terra'southward crystal uses the same color hues as the original logo.

The logo of the North American release, done in the verbal style of the Concluding Fantasy "II" English language logo, changed "Half-dozen" to "Three" to avoid continuity issues. While the box of the SNES release retains the "sword T" that had been used in "II", Adventure and the Legend releases, the logo in the game itself is instead a "normal" T with a thin, slightly stretched top which touches the N and A, in a fashion reminiscent of the T in the first North American Final Fantasy logo.

Last Fantasy Seven [ ]

The logo of Final Fantasy Seven features Meteor in varying shades of turquoise. The smaller rock may be a piece of Materia. The green and bluish of the logo set the theme for the color tone for the rest of the game as well, reflected in the Mako energy and Lifestream that play crucial roles in the story.^[2] Amano has described creating the Final Fantasy VII logo as a claiming. He drew many variations and concepts around the Shooting star motif, and in the end wasn't certain if information technology was practiced and thus let the developers choose the final version.^[1]

In Final Fantasy VII: Appearance Children the boondocks of Edge has a Meteor monument that resembles the logo. The logo of Final Fantasy Vii: Appearance Children is also a stylized version of the original Terminal Fantasy Vii logo. The game marks the point the aforementioned logo and numbering was used worldwide.

Final Fantasy VII Remake [ ]

The logo for Final Fantasy VII Remake shows the same Falling star from the original game, but now in a 3-D perspective, and a darker light-green color. A hint of green is shown at the lesser of the Concluding Fantasy title font. The title Remake has been added at the bottom, outlined in green as well. Director Tetsuya Nomura had wanted to utilise the logo from the game for the E3 2015 reveal trailer, only the remake logo hadn't been completed yet. Nomura wanted to match the atmosphere and had the idea to go far metallic, and the trailer staff fabricated the logo equally per Nomura's wishes. That logo ended upward being used in the final game. The logo in the E3 2015 trailer doesn't accept "Final Fantasy", merely the Falling star and the word "REMAKE". This was considering Nomura had ever wanted to only have the Shooting star logo. Dorsum before the original came out the advert producer at the time had suggested using just the logo for the game instance, rationalizing that even without the title, everyone would know it was Final Fantasy VII, and ever since Nomura had wanted to practise it.^[3] The logo of Final Fantasy VII Remake Intergrade is largely the same as that of the original Last Fantasy VII Remake, but shifts the word "Remake" to the left side, with "Intergrade" in a unlike font and color slope post-obit.

Final Fantasy Seven: Advent Children [ ]

The logo of Final Fantasy VII: Advent Children is a view of the ruins of Midgar matching the shape of the original Last Fantasy Vii logo.

Final Fantasy Vii: Advent Children Consummate [ ]

Basically the aforementioned equally the Advent Children logo, but has added a nighttime blue box with the discussion "Complete" beneath the original championship.

Before Crisis -Terminal Fantasy 7- [ ]

The logo of Before Crunch -Concluding Fantasy VII- depicts two of the main playable characters standing back to back. Who they are depends on which mobile game network the game was downloaded from.

Crisis Core -Final Fantasy Seven- [ ]

The logo of Crisis Cadre -Final Fantasy VII- is merely the title, with a heaven of clouds as the background.

The logo appears in the North American and PAL versions' game cover without the blue background.

Dirge of Cerberus -Terminal Fantasy VII- [ ]

The logo of Dirge of Cerberus -Final Fantasy Vii- is a representation of Cerberus, the creature Vincent named his gun after.

Chant of Cerberus Lost Episode -Terminal Fantasy 7- [ ]

Identical to the main game's logo, except for the words "Lost Episode" placed between the two lines of the title in aureate lettering.

Terminal Society -Final Fantasy Seven- [ ]

The logo of Last Order -Final Fantasy VII- is the title of the OVA, with the words "Last Order" colored in a similar manner to the numeral in the logo of Last Fantasy Ix. The gradient underline previously seen in logos such every bit Concluding Fantasy and Final Fantasy II is likewise used.

Last Fantasy VII: Snowboarding [ ]

The logo of Last Fantasy 7: Snowboarding is the Final Fantasy Vii typeset over a stylized "Snowboarding" subtitle in shades of blue and white.

Final Fantasy Vii G-Bike [ ]

The logo features a stylised "G" with a vehicular blueprint within a stencil circumvolve. The red "dash" resembles the edge of the Buster Sword.

Final Fantasy VII The First Soldier [ ]

Similarly to Advent Children, the logo is a view of Midgar, but now in its early on stages of development xxx years prior to Concluding Fantasy VII. The Shinra emblem is featured on the lesser left of the logo.

Terminal Fantasy Vii Ever Crisis [ ]

The logo features the Buster Sword thrust in the ground and colored turquoise with the handle and edge of the ground red.

Final Fantasy Viii [ ]

The logo of Last Fantasy VIII features a red and orange drawing of Squall embracing Rinoa. The two presume the pose in-game during a scene at Sorceress Memorial, which is alluded to in the opening cinematic. The squad knew that the Rinoa and Squall scene was going to be a a big moment in the game, and then they asked Yoshitaka Amano to draw this for the logo. The cherry-red to yellow slope reflects the sunset in the background of the moment Rinoa is falling to Squall'south artillery in the opening cinematic.^[2]

The logo of Last Fantasy VIII Remastered features the aforementioned illustration, with the text "Remastered" under the championship.

Final Fantasy Nine [ ]

The logo of Concluding Fantasy IX features the crystal from which all life originates in shades of aureate. The game number matches the crystal's color. In Dissidia Concluding Fantasy , Zidane'southward crystal and golden color recall the game's logo.

Concluding Fantasy 10 [ ]

The logo of Final Fantasy 10 features Yuna performing a sending at the Kilika Port in a multifariousness of vibrant shades, reminiscent of the iridescence of pyreflies also crucial for the scene the logo depicts. Information technology is the commencement to officially bear Amano'due south signature, visible in the bottom-right corner. Similar Final Fantasy Five, the "Ten" strays from the traditional font style.

There also exists a scrapped logo from the Foursquare Millennium Event trailer. Yuna'south confront is seen on the left, facing the beholder, with her right mitt raised upwards, and the profile of a large airship in the background. This image is taken from the 25th Anniversary Ultimania. The logo for the HD Remaster is almost identical to the original logo, autonomously from a bar washed in the manner of sunlit water beneath the main championship, with argent writing superimposed over it.

Final Fantasy X-two [ ]

The logo of Final Fantasy X-2 features Yuna, Rikku, and Paine with the reverse color gradient of its predecessor's namesake. By coincidence, the scarf of Rikku's in-game character models have a similar slope. Amano's signature is visible just to the right of Paine's extended leg. The logo of the Nippon-sectional International + Last Mission version features the aforementioned logo with the "International + Terminal Mission" text imposed on top of information technology.

Terminal Fantasy XI [ ]

The logo of Final Fantasy Xi features a cartoon of an regular army, likely an Allied regiment in the groovy Crystal War of the past. In its center, the light blue logo features 5 warriors, each representing a playable race in the game. Amano has described the Final Fantasy XI logo as the most challenging analogy because there are and so many characters. He used a huge piece of paper to create it, and has described the process every bit "very deadening."^[i] For the game'due south expansion packs, on the login screen the logo of each expansion is displayed, illuminated if owned by the actor or watermarked if not.

Final Fantasy XII [ ]

The logo of Terminal Fantasy XII features Judge Gabranth in blue and majestic, with a peach-colored brushstroke on the correct. He assumes this pose once in the game, when met within Sky Fortress Bahamut. In Dissidia Concluding Fantasy, Gabranth strikes this pose to end his EX Outburst. Yoshitaka Amano's signature is visible just adjacent to Gabranth'south foot in the lesser-left part of the paradigm.

During the time Amano created the logo illustration for Final Fantasy XII there was a fleck of a distance betwixt his office and the Square Enix part, and he drew upward another slice while the Square representative was on the mode to pick up the pieces; the 1 fatigued within that hour was the one that ended upwardly being called. Amano used Japanese-style ink that was kind of like watercolor, leaving castor marks that led to the the impact and way of that particular piece. Amano has described the forward-thinking brush effect equally something that tin only come about spontaneously, and said that logos don't necessarily come about following the request.^[1]

The logo of Final Fantasy XII International Zodiac Task Organization was painted by Yoshitaka Amano. It shows off the five Judge Magisters.

Final Fantasy XII: Revenant Wings [ ]

The logo of Final Fantasy XII: Revenant Wings features the Galbana flight through the sky. The logo was designed by Isamu Kamikokuryo.

Last Fantasy XIII [ ]

The logo of Concluding Fantasy 13 features Cocoon, with Fang, Vanille, and Ragnarok holding information technology in the sky. The crystal pillar is replaced with the outline of Serah'southward pendant. For the start time, in lieu of traditional white, the text is outlined in turquoise to friction match Yoshitaka Amano's artwork. The logo blueprint directly influenced the game's catastrophe, where Cocoon was designed to match the logo art.

Final Fantasy XIII-2 [ ]

The Final Fantasy XIII-2 logo features Lightning clad in armor and her fated rival, Caius Ballad. The text is outlined in colour matching the artwork. Amano'due south signature is visible under Lightning. Co-ordinate to an interview with Isamu Kamikokuryo nearly the game's art direction, the colors pink and purple came upwards a lot, and consequently, they are the colors in the logo.^[4] Lightning and Serah with their rose-colored hair represent pink, while Caius has a royal set of armor, purple hair and can transform into a purple Chaos Bahamut. It's the showtime logo in the series to feature both a protagonist and antagonist.

An culling logo is seen on the game's loading screens which do not use the Historia Crux animation. It features a clock design similar to the Mog Clock, with three hands positioned equidistant from each other; the aforementioned design is used for the Crystaria of Paradigm Pack monsters acquired via DLC.

Lightning Returns: Terminal Fantasy XIII [ ]

The logo of Lightning Returns: Final Fantasy XIII differs from the Final Fantasy norm and from the other logos in the Fabula Nova Crystallis: Final Fantasy series by not featuring a Yoshitaka Amano artwork and not using the usual typeface. It features an keepsake that resembles a crystal and the text has a crystalline texture to it. In that location are as well patterns in it resembling lightning bolts, likely relating to the game's heroine. In-game this is the crest of the savior.

Producer Yoshinori Kitase has explained that the title logo was revamped because the squad wanted to convey the "newness" of the installment compared to previous Final Fantasy games. The intention was to use an emblem with sharp edges and a symmetrical design.^[5]

Concluding Fantasy XIV [ ]

The logo of Last Fantasy XIV fittingly features 14 warriors joined with diverse weapons drawn. They are shaded in a variety of colors including blue, purple, orange, and cerise.

For the relaunch, Final Fantasy 14 was remade from the ground upward and given a new proper name, with accompanying changes to the logo. At present called Final Fantasy XIV: A Realm Reborn, the logo is the same art as the original, but colored entirely blue, and the subtitle "A Realm Reborn" is in cerise with the letter of the alphabet O in flames, representing the shooting star that sent the world to a new era for the game'southward relaunch. Later marketing materials for the game would no longer feature the subtitle "A Realm Reborn".

During beta versions of A Realm Reborn, the words "β Version" were appended under the right side the logo in pink. This was removed upon starting time of the Early Admission period.

Concluding Fantasy Xiv: Heavensward's logo shows Ishgardian soldiers fighting against a dragon, symbolizing the Dragonsong War. The Dragoon on the left side might be Estinien Wyrmblood, a major character of the expansion. The metropolis of Ishgard itself can be seen in the groundwork.

Final Fantasy XIV: Stormblood'south logo shows Lyse Hext leading the Ala Mhigan Revolution, followed by the Warrior of Lite, Raubahn and other revolutionaries. The groundwork takes the form of a flag, a symbol ofttimes associated with existent-world revolutions.

Final Fantasy Xiv: Shadowbringers' logo shows a Nighttime Knight carrying a sword, symbolizing the expansion'due south theme of the Warrior of Calorie-free becoming a Warrior of Darkness.

Final Fantasy XIV: Endwalker'due south logo shows the Ragnarok flying by the moon, one of the expansion's major areas. The moon's shape is also implying a hollow sphere, implying it contains something .

FFXIV Heavensward

Last Fantasy Fifteen [ ]

The logo of Last Fantasy XV features the Oracle, a healer who maintains the balance of the world of Eos, sleeping with her head resting on her arms, with a crystal sphere representing the sun or the moon behind her, and a large wing on her left. The shape of the logo, meant to stand for a shut heart, refers to the game's theme song "Somnus".^{[half dozen]} The text is outlined in a colour that matches the artwork, which is in diverse shades of steel-blue through to black, reflecting the darker tone of the story. Last Fantasy Xv: Majestic Edition uses the same logo with with "Regal Edition" in golden text underneath.

The bottom of the Final Fantasy 15 title is also shown to have a seemingly rocky looking texture.

At the the post-credits scene Lunafreya Nox Fleuret is revealed equally the Oracle in the logo. The logo is and so updated as Noctis Lucis Caelum in imperial attire is added sleeping beside her, reflecting the ending of Final Fantasy Fifteen. Noctis'south royal attire features a large night cloak that appears behind Lunafreya, and his coloration is identical to hers; the two are steel-blue while their extended wear is black. The updated logo replaces the original one on the title screen. In Concluding Fantasy Fifteen -The Dawn of the Time to come-, Lunafreya's "Scourge Queen/Goddess" form resembles how she appears on the main game'south logo.

Manager Hajime Tabata wanted the last cut superimposed with the title logo. Noctis's voice actor, Tatsuhisa Suzuki, wanted Noctis to be included in the logo and Tabata appeased the proposition. After Yoshitaka Amano drew the new logo, Tabata was amazed how the catastrophe direction came to life.^[7]

Should the actor view the Credits option on the title screen, which is added later beating the game, the updated logo is too featured at the end of the credits.

The developers had many discussions with Yoshitaka Amano nearly how to get the new logo and the reveal to work. The team wanted to accept a new logo to symbolize the showtime of a new journeying, since it had been x years since Final Fantasy Versus Xiii was announced, and they wanted to show the change in a prissy way.^[eight]

Spoilers end here.

The original Final Fantasy Versus Xiii logo is identical apart from the text and the coloring, which is done in a lighter coloring style of light to dark blue.^[9]

Amano's start reaction to the tweaked Terminal Fantasy Fifteen illustration was "Oh, it's finally being realized subsequently all this time."^[1]

A more humorous depiction of the logo is featured in an advert for Final Fantasy XV and Nissin Loving cup Noodle, a real-life noodle brand that's likewise a consumable nutrient in the game. In this altered logo, the crystal sphere behind the Oracle is replaced with a big kettle that'south blowing steam, and the Oracle is shown most to eat a Cup Noodle, while still maintaining her sleeping position.^[10]

Brotherhood -Last Fantasy Fifteen- [ ]

Brotherhood Final Fantasy 15 is an anime prequel to Terminal Fantasy Xv. Information technology has the silhouettes of Gladiolus Amicitia, Noctis Lucis Caelum, Ignis Scientia and Prompto Argentum against the logo text.

Kingsglaive: Terminal Fantasy XV [ ]

The logo for the accompanying movie, Kingsglaive: Terminal Fantasy XV, has the film's name in the series's font with the Five in "Kingsglaive" as an insignia.

A King's Tale: Last Fantasy Xv [ ]

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Concluding Fantasy Fifteen: A New Empire [ ]

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Monster of the Deep: Last Fantasy 15 [ ]

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Final Fantasy Fifteen: Comrades [ ]

Final Fantasy XV: Comrades uses the logo style from the Concluding Fantasy XV Universe logo.

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Final Fantasy XVI [ ]

The logo of Last Fantasy 16 features two summons, known as "eikons," Phoenix and Ifrit, engaging each other in combat. A similar scene is shown in the game's announcement trailer. The text is outlined in white, while the logo colour goes from peppery gilt to a blueish royal across the battling summons.

Spin-offs [ ]

Final Fantasy Risk [ ]

The logo for the Japanese release of Seiken Densetsu: Final Fantasy Gaiden shows the Seiken word intertwined with a cross-like hilt, with a color scheme and designed similar to Firion's sword from Terminal Fantasy Ii. The rest of the title is below the blueprint and the whole is shown on an off-white background. The logo of its English language release, Terminal Fantasy Adventure, shows the title with a sword for a "T", done with the same font equally the Final Fantasy "Ii" English release (down to an identical sword).

Final Fantasy Tactics [ ]

The logo of Final Fantasy Tactics is a group of soldiers, including a Blackness Mage, a Ninja, and a Knight. The font is altered, reminiscent of the early North American localizations, again with a sword replacing the first T and with the distinctive taper on the tail of the Fs; the font would get an official Tactics mainstay.

The logo for Final Fantasy Tactics: The War of the Lions features a cartoon of ii opposing sides fighting each other. It includes a Time Mage, a Dragoon, a White Mage, an Onion Knight, a Ninja, a Black Mage, a Summoner, an Archer and a chocobo.

Terminal Fantasy Tactics Advance [ ]

The logo of Final Fantasy Tactics Accelerate is a judgemaster (probable Cid Randell) on his chocobo.

Final Fantasy Tactics A2: Grimoire of the Rift [ ]

The logo of Terminal Fantasy Tactics A2: Grimoire of the Rift features a drawing of a Judge and a Grimoire.

Final Fantasy Crystal Chronicles [ ]

The logo of Final Fantasy Crystal Chronicles is a Myrrh Tree. The swooping, crescent shaped C's of this original logo would become a staple of the Crystal Chronicles series.

Concluding Fantasy Crystal Chronicles: Ring of Fates [ ]

The logo of Final Fantasy Crystal Chronicles: Ring of Fates spells out the game title is a stylistic red font, with a gem on a chain hanging from the leading leg of the R in the word "ring."

Other logos include a moving-picture show of the twins Yuri (left) and Chelinka (right), every bit well as as the curvation of a stained glass window. However, neither of these are consequent in the different versions of the game'due south box fine art.

Final Fantasy Crystal Chronicles: My Life every bit a King [ ]

The logo of Terminal Fantasy Crystal Chronicles: My Life as a King is a silhouette of King Leo and the Kingdom of Padarak.

Last Fantasy Crystal Chronicles: Echoes of Time [ ]

The logo of Terminal Fantasy Crystal Chronicles: Echoes of Fourth dimension includes a picture show of the cat that Sherlotta uses every bit a substitute body and a crystal.

Final Fantasy Crystal Chronicles: My Life as a Darklord [ ]

The logo of Final Fantasy Crystal Chronicles: My Life as a Darklord is a stylized font with many angled letters and serifs, written in a slope from pale pinkish to deep imperial. The prototype behind the title also uses various pinks and purples.

Final Fantasy Crystal Chronicles: The Crystal Bearers [ ]

The logo of Final Fantasy Crystal Chronicles: The Crystal Bearers reuses the lite blue font used in the original Crystal Chronicles title of Terminal Fantasy, and spells out the game's sub-championship in a heavily stylized xanthous font which spills over into the final four letters of "fantasy."

Last Fantasy Type-0 [ ]

The logo of Final Fantasy Type-0 features the goddess Diva, with both "aspects" of her touching a crystal sphere. The kanji word (零式, reishiki ?, lit. Type-0) was fatigued by Yusuke Naora, while the main artwork was designed by Amano.^[xi] ^[12] The text is done in black with white borders. The original logo, when the game was named Agito XIII, has text in outlined in a color that matches the artwork, which is done in paler shades than the Type-0 artwork. The logo for its Hd release is too identical to the original, except with the color of the artwork inverse to gold surrounded by sparkling particles, the kanji "Final Fantasy" removed from above the chief text and "Hard disk" added after the Type-0 kanji in a mode similar to some types of Japanese calligraphy.

The change in the game's coloring tone from the original red to the golden tone in the Hard disk drive remake was non completely planned from the starting time, but came from the new logo. Yusuke Naora designed the new logo every bit per manager Hajime Tabata's asking, and the team decided to unite the presentation of the new game under the golden tone from the new logo, although this could not exist carried out exactly as it made the game too dark in places to see all the details.^[13]

Terminal Fantasy Agito [ ]

The logo of Final Fantasy Agito is well-nigh unchanged from its previous incarnations, being the same epitome with an altered, vivid pinkish-to-red color-palette, and surrounded past a crimson blur. While the chief title is washed in the Runic MT Condensed format common to the series, the word "Agito", which dominates the title, is done in an oriental manner similar to the Hd moniker for Type-0. The text of the Agito+ logo is identical except for the addition of the "+" sign and the katakana for "plus" in the text. The color is also altered to various shades of blue and white.

Final Fantasy Awakening [ ]

The logo for Terminal Fantasy Awakening is like to the logo for Agito in coloring, but the blur is removed and the logo has floating objects like ruby flower or crystal fragments rising upwardly from the paradigm of Diva. The kanji for "Awakening" is drawn in a similar way to the logo for the original Blazon-0. Its image version, when the game was chosen Terminal Fantasy Type-0 Online, was almost identical with the word "Online" washed in a similar style to Agito.

The scene of the two Divas touching a crystal orb with moving clockwork cogs inside is depicted in the original game'southward intro. The orb symbolizes Orience, the world of Terminal Fantasy Type-0.

Dissidia Final Fantasy (2008) [ ]

The logo of Dissidia Final Fantasy features Chaos and Cosmos, the two opposing one another. Yoshitaka Amano'south signature is visible in the bottom-right corner of the image, well-nigh Chaos'due south leg.

Dissidia Duodecim Prologus Final Fantasy [ ]

The logo of Dissidia Duodecim Prologus Concluding Fantasy is virtually identical to that of Dissidia 012 Concluding Fantasy, with slightly brighter colors. The text "duodecim prologus" appears in purple underneath the chief text, replacing "[duodecim]" and forcing "FINAL FANTASY" onto the next line. Amano's signature is notably missing from this version.

Dissidia 012 Final Fantasy [ ]

The logo of Dissidia 012 Terminal Fantasy once more features Anarchy and Cosmos, each on the reverse side of their predecessor's logo artwork. Amano's signature is visible in the same place every bit before, this time but next to the end of Cosmos's gown.

Dissidia Terminal Fantasy (2015) [ ]

The arcade version is based on the original Dissidia Final Fantasy logo. It has no artwork, the "Dissidia" text is purple and embossed, and at that place is a red lens flare in the middle.

Dissidia Final Fantasy NT [ ]

The PlayStation 4 port of the arcade version has an artwork to go with the logo, besides as the messages North and T below. It is like to the original Dissidia Final Fantasy logo, with Chaos and Creation replaced by Spiritus and Materia.

Dissidia Final Fantasy Opera Omnia [ ]

Dissidia Terminal Fantasy Opera Omnia is a mobile Dissidia game. Based on he arcade version's logo, information technology has the word "Opera Omnia" added in embossed silver.

Theatrhythm Concluding Fantasy [ ]

The logo of Theatrhythm Terminal Fantasy parallels the Dissidia Final Fantasy logo with Cosmos and Chaos, albeit in a super-plain-featured way.

Theatrhythm Concluding Fantasy Curtain Call [ ]

The logo of Theatrhythm Final Fantasy Mantle Call features Terra Branford, Zidane Tribal, Onion Knight, Bartz Klauser, Y'shtola and Vaan in the back row, while Shantotto, Tidus, Firion, Deject Strife, Warrior of Calorie-free, Lightning, Squall Leonhart, Cecil Harvey and a moogle appear in the front row, Anarchy and Cosmos are depicted in aureate behind the characters in the aforementioned positioning as the Dissidia 012 Last Fantasy logo.

Concluding Fantasy Dimensions [ ]

The logo of Final Fantasy Dimensions features the characters Vata as a Warrior of Light and The Mask as a Warrior of Darkness. The artwork is done in a rainbow design. The game is called Final Fantasy Legends: Hikari to Yami no Senshi in Japan thus has a logo with different text.

Final Fantasy Dimensions 2 [ ]

The logo of Last Fantasy Dimensions Ii features Chronos, a key supporting character in the story, cradling a ball-like object. The artwork is done predominantly in a sky blueish colour, except for the center of the object which is colored purple going into fiery orange. The game is called Terminal Fantasy Legends Two in Japan thus has a logo with dissimilar text.

The game originally released in 2015 equally Last Fantasy Legends: Toki no Suishō. In this case, the logo was a large clockface drawn in a crystalline design, with Roman numerals marking each 60 minutes. The exterior was shaded low-cal blue, while the center was done in lite pink.

Final Fantasy Mystic Quest [ ]

The logo of Last Fantasy Mystic Quest features a new typeset with gilded letters in a style similar to other American Final Fantasy releases of the time.

Terminal Fantasy: The 4 Heroes of Light [ ]

The logo of Final Fantasy: The 4 Heroes of Lite features a new typeset in golden letters.

Terminal Fantasy Record Keeper [ ]

The logo for Final Fantasy Record Keeper has the traditional Terminal Fantasy logo on top with the Record Keeper text below in a unlike typeface and the Japanese text at the bottom.

Terminal Fantasy Explorers [ ]

The logo of Final Fantasy Explorers features diverse job classes taking on a dragon. The logo text does non utilize the usual font, and has a crystal substitute for the O in the discussion "explorers". The game'due south logo is designed past Amano.^[fourteen]

Final Fantasy Explorers-Force [ ]

The logo of Terminal Fantasy Explorers-Forcefulness features a dragon and a behemoth facing off against i some other with two warriors in the middle. The lesser part below the text features diverse job classes. The artwork is by Yoshitaka Amano.

Concluding Fantasy Brave Exvius [ ]

The logo fine art of Terminal Fantasy Dauntless Exvius features Fina behind the crossed swords of Rain and Lasswell. This is gradiented from left to right with each character's signature colour, from Lasswell's blue, to Fina'due south royal and finally to Rain'south ruby-red. The art was drawn by Amano, with his signature evident at the bottom correct in the Japanese and in-game versions. Dissimilar other logos in the series, the international version does not feature Japanese text.

Mobius Final Fantasy [ ]

The logo of Mobius Final Fantasy features the primary protagonist wearing armor and wielding an ornate sabre. Backside him is a yellow figure-of-viii pattern. The logo was designed by Amano, and was designed around the concept of the Möbius strip.^[15]

Concluding Fantasy Grandmasters [ ]

The logo for Last Fantasy Grandmasters resembles the logo for Final Fantasy 11 past its colors, being a spin-off of the original Final Fantasy MMO. Information technology features an airship with a city on its back, and the dissimilar races of Vana'diel.

World of Terminal Fantasy [ ]

The logo for World of Final Fantasy features the game'due south two playable characters, Reynn and Lann, and directly in a higher place them, their two chief companion mirages, Serafie and Tama. Spread throughout the logo are numerous other mirages, including mascots such every bit the moogle, chocobo and Black Mage. Many of the game'south monster designs are based on Yoshitaka Amano artwork for earlier entries in the franchise and this logo, featuring many of these monsters, was created past Amano. The typeface is similar to previous logos, only less meaty, and featuring a large curve for the Fifty in "World." Japanese text appears underneath the English language.

The logo of the game's enhanced and expanded version, World of Final Fantasy Maxima, uses the same base image, but adds the word "Maxima" underneath. The "Maxima" text is curved and besides has curved lines extending from the edges and in the center and features a black to golden color gradient. It replaces the Japanese text seen in the original logo.

Crystal Defenders [ ]

The logo of Crystal Defenders features a blueish and peach crystal with the title in a red gradient. The sword-like "T" is like to that on the North American boxart for Final Fantasy Iv and Concluding Fantasy VI and logo for Final Fantasy Tactics.

Crystal Defenders: Vanguard Storm [ ]

The logo of Crystal Defenders: Vanguard Tempest is like to its predecessor, though the subtitle is in a diamond font.

Sub-series [ ]

Final Fantasy 20th Anniversary [ ]

The Final Fantasy 20th Ceremony logo features an Amano drawing of Princess Sarah on top of a crystal. Other conceptual designs include a Warrior of Light and the Bomb enemy.

Terminal Fantasy 25th Anniversary [ ]

The Terminal Fantasy 25th Anniversary logo features a moogle sitting on a small throne atop a chalice. The letters have a gold gradient while "25th" is in a blood-red gradient.

Terminal Fantasy 30th Anniversary [ ]

The logo features chocobos and a moogle amongst a large blue crystal that seems to be shedding smaller crystals to all directions. The text 30th Final Fantasy Anniversary is in the middle with "since 1987" in italics at the bottom. Yoshitaka Amano'due south signature is in the bottom right.

Finest Fantasy for Advance [ ]

The logo of Finest Fantasy for Accelerate is a uncomplicated black and white box.

FFI-II Dawn of Souls logo

Compilation of Final Fantasy 7 [ ]

The logo of Compilation of Last Fantasy Seven is the original Terminal Fantasy 7 logo, on a black background, and the words "Compilation of Final Fantasy 7" on Meteor.

Final Fantasy VII tenth Anniversary [ ]

The logo was used in 2007 to celebrate the 10th anniversary of Final Fantasy 7. It features Cloud Strife being flanked by Zack Fair and Sephiroth.

Fabula Nova Crystallis: Concluding Fantasy [ ]

The logo of Fabula Nova Crystallis: Last Fantasy features a goddess wearing one thousand clothing, with wings and a crystal sphere at the bottom of her feet (adjacent to which Amano'south signature is visible). The principal title is washed in black with white borders, while the second half is white inside a black bar. The original logo diameter the "13" numeral: this was removed after Final Fantasy Agito Xiii was renamed Terminal Fantasy Type-0.^[16]

Final Fantasy XV Universe [ ]

Final Fantasy XV started as a Fabula Nova Crystallis game, but eventually spun its own series of releases.

Ivalice Alliance [ ]

The logo of the Ivalice Alliance features a sword surrounded by the thirteen Zodiac signs, a recurring theme in Ivalice-based games.

Compilations [ ]

Final Fantasy I∙Two [ ]

The logo of Last Fantasy I∙II is elementary with no background prototype and the text is in blue. This was the starting time time Final Fantasy and Last Fantasy II were released with the modern typeset for their logos.

Concluding Fantasy Origins [ ]

The logo of Terminal Fantasy Origins includes the title in the familiar typeset, plus the colors of the logos from the original Terminal Fantasy and Final Fantasy II in the underline.

Last Fantasy I & 2: Dawn of Souls [ ]

The Concluding Fantasy I & 2: Dawn of Souls includes the logos of the original Last Fantasy and Terminal Fantasy II on either side of the main Dawn of Souls logo, with a crystal behind it.

Final Fantasy Collection [ ]

The Final Fantasy Collection logo is elementary with the Terminal Fantasy text with the give-and-take Collection under information technology.

Concluding Fantasy Chronicles [ ]

The Terminal Fantasy Chronicles logo is basic with only the text "Chronicles" added to the primary logo.

Final Fantasy IV: The Complete Collection [ ]

The Last Fantasy Iv: The Complete Collection logo is the basic Final Fantasy logo with the Complete Collections text added to information technology, without a background image.

Final Fantasy Anthology [ ]

The Final Fantasy Anthology logo is written in statuary color instead of black and has an embossed rather than flat expect, only otherwise is similar to other Final Fantasy serial logos. The typeset used is Birch STD, rather than the regular series typeset which is based on Runic MT.

Concluding Fantasy X / X-2 Ultimate Box [ ]

A compilation pack from Square'southward Ultimate Hits series, including Last Fantasy X and its sequel, Final Fantasy 10-2 for the PlayStation two. This was made available to Japan merely.

Final Fantasy X/X-2 Hard disk Remaster [ ]

The Final Fantasy X/X-2 HD Remaster logo is composed of logos for Final Fantasy X and Last Fantasy X-two respectively. It has written "Hd Remaster" in a solid steel color on a transparent light blue bar.

Other logos [ ]

FFATB Logo

Final Fantasy Tactics S Logo

FFFChocoDungeonLogo

FFULogo

TSWlogo

The Final Fantasy Legend Logo

Final Fantasy Fable 2 Logo

References [ ]

↑ ^1.0 ^1.1 ^ane.2 ^1.3 ^ane.iv ^ane.5 ^ane.6 The Fine art That Shaped Final Fantasy: Thoughts From Famed Creative person Yoshitaka Amano (Accessed: December 12, 2018) at Game Informer)
↑ ^2.0 ^ii.1 ^2.two http://finalfantasynews.com/2015/02/27/yusuke-naoras-smu-lecture-recap-featuring-new-final-fantasy-15-concept-art/
↑ Concluding Fantasy Seven Remake Ultimania Interview With Tetsuya Nomura (Accessed: July 17, 2020) at Game8
↑ Final Fantasy XIII-2 Roundtable: Art and Music (Accessed: October 27, 2014) at GameSpot
↑ Foursquare Enix On Bringing Lightning Returns To Life (Accessed: October 27, 2014) at Kotaku
↑ Final Fantasy Versus XIII – all the details so far (Accessed: Oct 27, 2014) at Gematsu
↑ Final Fantasy 15 Ultimania Scenario Side translations (Accessed: December 12, 2018) at The Lifestream
↑ The by, present and hereafter of Final Fantasy 15 (Accessed: December 12, 2018) at Eurogamer
↑ 16 More Things We Learned Nearly Final Fantasy xv (Accessed: Baronial thirty, 2015) at Gamespot
↑ https://www.youtube.com/watch?v=pCU1bVzYAnQ
↑ Latest on Concluding Fantasy Type-0 (Accessed: Oct 27, 2014) at Andriasang
↑ Yoshitaka Amano Artwork Featured on Final Fantasy Type-0 Soundtrack (Accessed: October 27, 2014) at Andriasang
↑ http://jpgames.de/2015/02/jpgames-de-unser-interview-mit-hajime-tabata/
↑ 3DS『ファイナルファンタジーエクスプローラーズ』FF11/14のライト版的な内容、登場ジョブ約20種、アビリティ付替可能、100～200時間は遊べる。シリーズ展開も視野？ (Accessed: October 27, 2014) at GamesTalk
↑ http://app.famitsu.com/20150402_511025/
↑ Kitase and Toriyama Talk FFXIII-2 and Fabula Nova Crystallis (Accessed: Oct 27, 2014) at Andriasang

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Source: https://finalfantasy.fandom.com/wiki/Logos_of_Final_Fantasy